Archive for the 'Nature and Environment' Category

The Serengeti Threatened by Road Project

Tuesday, July 13th, 2010

The Government of Tanzania has approved the building of a major commercial highway across the northern part of the Serengeti, home to the world’s last great migration and a UNESCO World Heritage Site. The road will adversely affect the world-renown wildlife migrations in that region, tourism, and local economy. An alternate proposal is to build a road in the southern part of the Serengeti, an area less sensitive and where a road would be more beneficial to the local residents.

For more information, go to www.savetheserengeti.org/issues/stop-the-serengeti-highway/

Zanzibar and Chumbe Island, Tanzania

Saturday, May 15th, 2010

Join me in Zanzibar, Tanzania, November 16 - 27, 2010 for a 12-day photography workshop covering Stone Town, Nungwi, Prison Island and Chumbe Island Coral Park. Details and registration at http://www.blueplanetphoto.com/zanzibar.htm. There is a limit of 6 on this workshop and 2 spots are already taken. Your early registration will ensure a spot.


Zanzibar and Chumbe Island Coral Park, Tanzania, Africa from Mike Shipman on Vimeo.

Here is a nicely done segment from a film about Zanzibar, featuring Omari, the head ranger at Chumbe Island Coral Park. Omari talks about the threats to coral reefs, not just in Zanzibar but world wide. Some beautiful film of the reef as well.


Bruneau Dunes State Park Workshop

Tuesday, May 11th, 2010

Last weekend I lead a workshop to Bruneau Dunes State Park in the Owyhee Desert of southwest Idaho. About 20 miles south of Mountain Home and 80 miles from Boise, it’s a location easily reached for a day or weekend getaway. Spring and fall are the best times for color (other than brown) and temperature (other than scorching hot), but really any time of year is good. The main dune is the tallest single dune in the U.S. at over 400 feet. Several smaller dunes and dune fields are found in this unusual catchment basin for sand. Two small lakes are adjacent to the dunes and an astronomical observatory provides exploration of the night sky spring to fall. Tent pads, RV and trailer spaces, and a couple small cabins await the weekend or weekday warrior. The wind blows almost constantly, sometimes very briskly, so protection of camera equipment is important since sand gets into everything.

Ducks, geese, jackrabbits, osprey, great horned owls, kangaroo rats, lizards, snakes, songbirds, coyotes, insects, wildflowers, clouds, sky, and people.

We had a fun time exploring and learning.

Bruneau Dunes. © Mike Shipman. blueplanetphoto.com. all rights reserved.

Do you like Macro?

Wednesday, May 5th, 2010

I mean, REALLY macro? Here’s a site that will blow you away, plus give you the tools to do it yourself: if you have the patience. Charles Krebs (not the Ecology textbook author, but still very much interested in the natural world) is an accomplished photomicrographer and multiple year winner of the Nikon Small Worlds and Olympus Bioscapes contests. Putting together essentially a DIY setup, he’s created many visually arresting images.

Visit his website and galleries, plus several articles explaining how you can do this too: http://www.krebsmicro.com/

Here’s an article showing his current set up and equipment: http://micropix.home.comcast.net/~micropix/microsetup/index.html

© Charles Krebs
photos © Charles Krebs

© Charles Krebs

Mother Nature’s Child

Friday, January 15th, 2010

This is an introduction to a forthcoming film about nature’s essential role in three phases of childhood: toddlers, middle childhood and adolescence. Today nature deficit disorder threatens the health and well-being of our children. MOTHER NATURES CHILD addresses this threat and explores the benefits of time in nature.

From their Facebook page:

As an entire generation of children disconnects from the natural world, we ask: what will they lose intellectually, emotionally, physically, spiritually? Why do children need unstructured time outside? How important is risk-taking to healthy child development? How is play a form of learning? Why are teachers resistant to taking students outside? How can inner city kids connect with nature? What does it mean to educate the “whole” child?

To address these questions, we have filmed children of all ages and interviewed parents, teachers and the following experts: Stephen Kellert, David Sobel, Jon Young, Brother Yusuf Burgess, Nancy Bell, Misha Golfman, Rob Hanson, Amy Beam, Mary Hardcastle, Pearline Tyson, and others.

We now seek funding to complete the film, discussion guide and website. To date, we have received generous support from the Foundation for Global Community, Newman’s Own Organics, Norcross Wildlife Foundation, Oregon Community Foundation and a number of committed individuals.

If you would like to help by making a donation to the film, a tax-deductible contribution may be sent to our non-profit fiscal agent: NorthWoods Stewardship Center, P.O. Box 220, East Charleston, VT 05833. Attn: Diana Markwardt. (802) 723.6551 x114.

For more information about MOTHER NATURE’S CHILD, contact Camilla Rockwell at fuzzyslippersprod@comcast.net and visit them on Facebook: http://www.facebook.com/pages/Mother-Natures-Child/184158708677


Compelling African Wildlife Photography by Nick Brandt

Sunday, December 20th, 2009

© Nick Brandt, Portrait of Lion Standing in Wind
photo © Nick Brandt. Portrait of Lion Standing in Wind, Masai Mara 2006

Great work from a photographer promoting wildlife and environmental conservation. His work is beautiful and thought-provoking, with the feeling of 1800s era exploration and the wonder (and probable fear) felt by those early encounters with new, unusual and dangerous animals. However, this is the 21st Century and these animals and their habitat are under continuous pressure and encroachment, directly and indirectly by humans.

From my wildlife biologist’s perspective, Nick Brandt’s photographs capture an essence of the animal in its environment in a way we, as photographers, dream of. It’s obvious from the deliberate and careful treatment of each photograph that this is a photographer who “gets it”. Through knowledge of his subjects and time spent in the field, his eye has captured the subtle gesture of each animal defining its tie to the environment in which it lives. These photographs simply and powerfully illustrate the majesty, drama, and struggle all nature’s creatures (including humans) must participate in for survival.

As a photographer, I can fully appreciate the passion, dedication, preparation, and time required to produce such excellent work. His passion for African wildlife is openly visible in his portraits which tell their story in the simplest and most captivating way. We get a sense of the animal and its place, feel the wind, the weight and power resting on the earth, speed, delicacy, intelligence, and grace, the intimate connection animals have with their environment (that many of us seem to lack), and a bit of implied sorrow or tiredness caused by the unceasing drive to survive compounded by relentless pressure on their habitat.

Arriving on the scene with his “On This Earth” series in 2005, he has continued photographing African wildlife in “A Shadow Falls”. He has published two books of each portfolio series. View his portfolios on his website at www.nickbrandt.com.

Life On Mars

Saturday, November 14th, 2009

Before the 1960s we could only imagine what the surface of the moon looked like up close. We, as a species, looking up to the sky and into space used our imagination to illustrate what the surface of other planets might reveal. Some of those illustrations and theories stuck with us for decades until refuted by better technology. Our ability to send remote devices into space as surrogates for earth-bound explorers, and the increasingly rich imagery and data being sent back to us, is nothing short of incredible. Saying that, knowing from the perspective of past history we are only in the very preliminary baby steps of our existence (barely moving our feeble limbs, actually) and there is so much more to come, on the one hand it seems immature to be so amazed. Of course there are interesting planets out there with landscapes, processes, and features completely different from our familiar Terra Firma. Why should we be surprised to see those things given our technology? We should expect it, and we do. If all the other worlds out there looked like Earth there wouldn’t be any reason to explore them. We still would, of course. My point is, we’ve come to take these discoveries and achievements as commonplace, as expected events in the course of our ongoing march of progress. Would people be as apathetic if no discoveries or advances were being made? Would they then complain? Hard to say, I think.

On the other hand, it’s childish wonder and amazement that drives us forward, keeps us interested and engaged, makes us wonder “what if…?” Without curiosity and the will to pursue questions, life and living on Earth would be very, very uninteresting. Why do kids want to be astronauts? It’s the desire and hope to see something new, the adventure of doing something or going somewhere nobody else (or very few) have done or gone before (Sounds familiar, I know, but it’s true).

Early explorers were curious about what was over the next hill. Once that was found out, then it was across the river, then across the ocean, now across space (though we’re still working on ‘in the ocean’). When we were kids, we believed what we were told about the pinpoints of light we saw through a telescope in the backyard; “that’s Venus, that’s Neptune, that’s Mars”. Those pinpoints of identified light sparked our imagination. It wasn’t just any pinpoint in the sky, it was another place we knew about, far away but close to home, visible, but unattainable. What was it like there? Was the sky blue? Were there trees? Was there anyone there? Did the houses have curtains on the windows? Those are the questions (well, maybe not the exact questions) keeping young and older minds looking forward, figuring out how to find the answer, giving them a purpose and something to do. Without curiosity and childish wonder we would certainly give up not long after the question was posed.

I’ve always been fascinated by space and technology. Probably because I grew up in the 1960s and watched the first step on the moon. It was brand new. It was pushing the envelope of what was possible. It was our first really close look at the surface of another world. It was cool.

But can there be too much technology? There’s so much going on now compared with a few decades ago. I imagine that comment echoes the sentiment voiced by generations going back to the beginning of history and presages the same comment that will be stated 3 - 4 decades from now by the current “technologically advanced” generation. We are so much more concerned with events and people so far outside of our personal sphere of influence than we used to be (or needed to be). Throughout history, successive generations have had to deal with the added load technology placed on their lives but, initially, the sphere of technological influence was just around the home; tools that improved hunting or farming. A villager still had to walk to the neighbor’s house to get the local news. At first, these advances were truly beneficial and made life a little easier. Today, we don’t have to leave our bed to see, hear, and interact with a sphere that encircles the globe. There’s so much noise I think it dampens our ability to be amazed, restricts our childish wonder, it makes us jaded toward things we should be staring at open-mouthed.

What does this have to do with Mars?

NASA MRO image of the martian surface, from http://www.boston.com/bigpicture/2009/11/martian_landscapes.html

NASA MRO image of the martian surface, from http://www.boston.com/bigpicture/2009/11/martian_landscapes.html

NASA MRO image of the martian surface, from http://www.boston.com/bigpicture/2009/11/martian_landscapes.html

NASA MRO image of the martian surface, from http://www.boston.com/bigpicture/2009/11/martian_landscapes.html

NASA MRO image of the martian surface, from http://www.boston.com/bigpicture/2009/11/martian_landscapes.html

The tracks of Opportunity in the soil near Victoria Crater

NASA MRO image of the martian surface, from http://www.boston.com/bigpicture/2009/11/martian_landscapes.html

These are images of the Martian surface from NASA’s Mars Reconnaissance Orbiter (MRO) and the onboard HiRISE (High Resolution Imaging Science Experiment) camera.

If you can dampen the noise, you can still feel the wonder.

(images from NASA. More information about the location and details of each image can be found at http://www.boston.com/bigpicture/2009/11/martian_landscapes.html)

Dhow at Sunrise

Saturday, October 3rd, 2009

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Baobab

Saturday, October 3rd, 2009

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Get A Piece of Zanzibar!

Saturday, August 8th, 2009



Chumbe Island aerial
A great opportunity fell in my lap last week and I’ve been scrambling to get ready for it. I’m heading to Chumbe Island Coral Park this month through most of September to be a volunteer reef guide. This opportunity came about as the result of a friend calling me up and telling me a friend of his was going and the other guy he’d had signed up to go had to cancel, would I want to go? Initially, I said no because this kind of trip wasn’t in my budget. Then, after some thought, I decided it was an opportunity not to be passed up lightly. I did some research and thought I’d bring all my skills to bear on the project.

Part of that is a participatory project I’ve called Get a Piece of Zanzibar!
Chumbe and environs

zanzibar and tanzania
I like to teach and “bring people along” to locations I’ve visited through slide show presentations, writing, and my photography. I’m always trying to integrate my wildlife biology background into the photography work I do, and here’s a perfect opportunity to combine all of those things into a vicarious experience for anyone.

I’ve put together 4 options for people to participate in this adventure. These options are relatively inexpensive and you get some cool stuff:

$50 - at least 4 postcards handwritten by me and postmarked from Zanzibar. Who knows what the postcards will be of or what I’ll write….
$75 - One (1) signed 8×12 photographic print of my choice
$100 - at least 4 handwritten postcards and one (1) signed 8×12 photographic print of my choice
$125 - at least 4 handwritten postcards, one (1) signed 8×12 photographic print of my choice, and a surprise (I don’t even know what it will be)

There’s more information on my website and a special page created for this project. It’s called Get a Piece of Zanzibar and all the information (well, a lot of information) is there as well as the links to sign up to get your stuff.

Just be quick, the deadline for signing up is August 28.